Мода и границы человеческого. Зооморфизм как топос модной образности в XIX–XXI веках - Ксения Гусарова

Bezan & McHugh 2019 – Bezan S., McHugh S. Introduction: Taxidermic Forms and Fictions // Configurations. 2019. Vol. 27. № 2. P. 131–138.

Birke 1995 – Birke L. Exploring the Boundaries: Feminism, Animals, and Science // Animals and Women: Feminist Theoretical Explorations / Ed. by C. J. Adams, J. Donovan. Durham, NC; London: Duke University Press, 1995. P. 32–54.

Blum 2020 – Blum D. Elsa Schiaparelli and the art of illusion // Art Journal. 2020. April 2. Vol. 57. www.ngv.vic.gov.au/essay/elsa-schiaparelli-and-the-art-of-illusion/ (дата обращения 03.12.2024).

Boardman 2006 – Boardman R. The International Politics of Bird Conservation: Biodiversity, Regionalism and Global Governance. Cheltenham; Northampton: Edward Elgar, 2006.

Boddice 2016 – Boddice R. The Science of Sympathy: Morality, Evolution, and Victorian Civilization. Champaign: University of Illinois Press, 2016.

Bosch 2004 – Bosch M. History and Historiography of First-Wave Feminism in the Netherlands, 1860–1922 // Women’s Emancipation Movements in the Nineteenth Century / Ed. by S. Paletschek and B. Pietrow-Ennker. Stanford: Stanford University Press, 2004. P. 53–76.

Bowler 1983 – Bowler P. J. The Eclipse of Darwinism: Anti-Darwinian Evolution Theories in the Decades around 1900. Baltimore: Johns Hopkins University Press, 1983.

Braidotti 2013 – Braidotti R. The Posthuman. Cambridge: Polity Press, 2013.

Braithwaite 2019 – Braithwaite N. J. Fashion, Fantasy, Power and Mystery: Interpreting Shoes through the Lens of Visual Culture / F. Carlotto, McCreesh N. (eds) Engaging with Fashion: Perspectives on Communication, Education and Business. Boston: Brill Rodopi, 2019. P. 205–216.

Brauer 2015a – Brauer F. The Janus Face of Evolution: Degeneration, Devolution and Extinction in the Anthropocene // Picturing Evolution and Extinction: Regeneration and Degeneration in Modern Visual Culture / Ed. by F. Brauer, S. Keshavjee. Newcastle upon Tyne: Cambridge Scholars Publishing, 2015. P. xv–xlii.

Brauer 2015b – Brauer F. Becoming Simian: Devolution as Evolution in Transformist Modernism // Picturing Evolution and Extinction: Regeneration and Degeneration in Modern Visual Culture / Ed. by F. Brauer and S. Keshavjee. Newcastle upon Tyne: Cambridge Scholars Publishing, 2015. P. 127–156.

Brevik-Zender 2010 – Brevik-Zender H. Decadent Decors and Torturous Textiles: Fashion and Interior Design in the Fin-de-siècle Novels of Rachilde // Fashion, Interior Design and the Contours of Modern Identity / Eds Alla Myzelev and John Potvin. Surrey, UK: Ashgate, 2010. P. 105–123.

Brevik-Zender 2015 – Brevik-Zender H. Fashioning Spaces: Mode and Modernity in Late-Nineteenth-Century Paris. Toronto; Buffalo; London: University of Toronto Press, 2015.

Broomfield 2001 – Broomfield A. L. Much more than an antifeminist: Eliza Lynn Linton’s contribution to the rise of Victorian popular journalism // Victorian Literature and Culture. 2001. Vol. 29. Is. 2. P. 267–283.

Broomfield 2002 – Broomfield A. L. Blending Journalism with Fiction: Eliza Lynn Linton and Her Rise to Fame as a Popular Novelist // Lynn Linton E. The Rebel of the Family / Ed. by Deborah T. Meem. Ontario: Broadview literary texts, 2002. P. 441–455.

Brown 1996 – Brown B. The Material Unconscious: American Amusement, Stephen Crane, and the Economics of Play. Chicago: University of Chicago Press, 1996.

Brown 2010 – Brown L. Homeless Dogs and Melancholy Apes: Humans and Other Animals in the Modern Literary Imagination. Ithaca; London: Cornell University Press, 2010.

Browne 2009 – Browne J. Darwin in Caricature: A Study in the Popularization and Dissemination of Evolutionary Theory // The Art of Evolution: Darwin, Darwinisms, and Visual Culture / Ed. by B. Larson, F. Brauer. Hanover, NH; London: Dartmouth College Press, 2009. P. 18–39.

Buffard-Moret 2022 – Buffard-Moret J. Le motif léopard dans le vestiaire féminin au XXe siècle: De l’authentique fourrure du fauve à la proliferation de l’imprimé tacheté // Apparance(s): Histroire et culture du paraître. 2022. № 11: Modes animales. journals.openedition.org/apparences/3773 (дата обращения 03.12.2024).

Buszek 2006 – Buszek M. E. Pin-Up Grrrls: Feminism, Sexuality, Popular Culture. Durham, NC; London: Duke University Press, 2006.

Çakmak 2014 – Çakmak G. «For the Strong-Minded Alone»: Evolution, Female Atavism, and Degeneration in Aubrey Beardsley’s Salomé // Decadence, Degeneration and the End: Studies in the Euroean Fin de Siècle / Ed. by M. Härmänmaa, Ch. Nissen. Palgrave Macmillan, 2014. P. 183–200.

Calefato 2014 – Calefato P. Luxury: Fashion, Lifestyle and Excess / Transl. by Lisa Adams. London: A&C Black, 2014.

Calefato 2021 – Calefato P. Fashion as Cultural Translation: Signs, Images, Narratives. New York; London: Anthem Press, 2021.

Carter 2003 – Carter M. Fashion Classics from Carlyle to Barthes. Oxford; New York: Berg, 2003.

Chamberlain 1996 – Chamberlain L. Nietzsche in Turin: An Intimate Biography. New York: Picador, 1996.

Cheng 2011 – Cheng A. A. Second Skin: Josephine Baker and the Modern Surface. Oxford; New York: Oxford University Press, 2011.

Church Gibson 2000 – Church Gibson P. Redressing the balance: Patriarchy, postmodernism and feminism // Fashion Cultures: Theories, Explorations and Analysis / Ed. by S. Bruzzi and P. Church Gibson. London; New York: Routledge, 2000. P. 349–362.

Clement 2007 – Clement G. The Ethic of Care and the Problem of Wild Animals // The Feminist Care Tradition in Animal Ethics: A Reader / Ed. by J. Donovan and C. J. Adams. New York: Columbia University Press, 2007. P. 301–315.

Colley 2014 – Colley A. C. Wild Animal Skins in Victorian Britain: Zoos, Collections, Portraits, and Maps. London; New York: Routledge, 2014.

Cooke 2014 – Cooke S. Bennett as a satirist and comic artist: illusion and change // Victorian Web. victorianweb.org/art/illustration/bennett/satire.html (дата обращения 18.08.2021).

Cooter 1984 – Cooter R. The cultural meaning of popular science: Phrenology and the organization of consent in nineteenth-century Britain. Cambridge; New York; Melbourne: Cambridge University Press, 1984.

Cornuaille 2017 – Cornuaille Ph. L’estampe à la mode // Nouvelles de l’estampe. 2017. № 260. journals.openedition.org/estampe/345 (дата обращения 03.12.2022).

Cowie 2021 – Cowie H. L. Victims of Fashion: Animal Commodities in Victorian Britain. Cambridge: Cambridge University Press, 2021.

Craig 1983 – Craig K. M. Rembrandt and «The Slaughtered Ox» // Journal of the Warburg and Courtauld Institutes. 1983. Vol. 46. P. 235–239.

Creed 1993 – Creed B. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. New York: Routledge, 1993.

Crist 1999 – Crist E. Images of Animals: