Проблемы литератур Дальнего Востока. Труды IX международной научной конференции - Коллектив авторов

времени в Гонконге. Конфликт между современным линейным временем и космологическим призрачным временем подразумевает невозможность неизменной верности и, следовательно, ставит под сомнение достоверность обещанных «пятидесяти лет без изменений». Кроме того, именно темпоральность обратного отсчета времени в Гонконге подготавливает травму в будущем и призывает в мир призрак Жухуа, чтобы инсценировать гибель Гонконга.

Литература

1. Li Cheuk-to. Introduction // Phantoms of the Hong Kong Cinema. The 13th Hong Kong International Film Festival. Hong Kong: Urban Council, 1989. P. 3–9.

2. Cheung Esther M. K. The City that Haunts: The Uncanny in Fruit Chan’s Made in Hong Kong // Between Hong and World: a Reader in Hong Kong Cinema. Hong Kong: Oxford University Press, 2004. P. 353–368.

3. Fu Poshek. Between Shanghai and Hong Kong: The Politics of Chinese Cinemas. Stanford: Stanford University Press, 2003.

4. Lee Leo Ou-fan. Shanghai Modern: The Flowering of a New Urban Culture in China, 1930–1945. Cambridge: Harvard University Press, 1999.

5. Teo S. The Extra Dimensions. London: British Film Institute, 1997.

6. Sek Kei. The Wandering Spook // Phantoms of the Hong Kong Cinema. The 13th Hong Kong International Film Festival. Hong Kong: Urban Council, 1989. P. 13–16.

7. Chow R. A Souvenir of Love // Modern Chinese Literature. 1993. № 7 (2). P. 59–78.

8. Fujii Rumi. How and Why Fictions Enable People to Memorize Hong Kong // Literary Hong Kong and Lilian Lee / ed. by Kwok-Kou Chan. Taipei: Rye Field Publications, 2000. P. 81–98.

9. Chen Li-fen. Popular Culture and Historical Association // Literary Hong Kong and Lilian Lee / ed. by Kwok-Kou Chan. Taipei: Rye Field Publications, 2000. P. 119–140.

10. Leung Ping-kwan. Stanley Kwan: Between China and Hong Kong // In Critical Proximity: The Visual Memories of Stanley Kwan. Hong Kong: Joint Publishing, 2007. P. 12–19. (In Chinese)

11. Mao Jian. Hong Kong Tense // Literary Hong Kong and Lilian Lee / ed. by Kwok-Kou Chan. Taipei: Rye Field Publications, 2000. P. 198–206.

12. Lee Haiyan. Revolution of the Heart: A Genealogy of Love in China, 1900–1950. Stanford: Stanford University Press, 2010.

13. Lee Wai-yee. Enchantment and Disenchantment: Love and Illusion in Chinese. Literature. Princeton: Princeton University Press, 1993.

14. Wang David Der-Wei. The Monster Tah t Is History: History, Violence, and Fictional Writing in Twentieth-Century China. Berkeley: University of California Press, 2004.

15. Тан Сянь-цзу. Пионовая беседка / перевод Л. Н. Меньшикова // Классическая драма Востока. М.: Художественная литература, 1976. С. 449–471.

16. 王德威.後遺民寫作.台北：麦田，2007. 328页. [Ван Дэвэй. Постлоялистское творчество. Тайбэй: Майтянь, 2007.] (На кит. яз.)

17. Hsia C. T. C. T. Hsia on Chinese Literature. New York: Columbia University Press, 2004.

18. Abbas A. Hong Kong: Culture and the Politics of Disappearance. Hong Kong: Hong Kong University Press, 1997.

19. Бахтин М. Формы времени и хронотопа в романе. Очерки по исторической поэтике // Бахтин М. Вопросы литературы и эстетики. М.: Художественная литература, 1975. C. 234–407.

20. 李碧华. 胭脂扣.香港:天地图书有限公司, 2008. 193页. [Ли Лилиан. Румяна. Гонконг: Тяньди тушу юсянь гунсы, 2008.] (На кит. яз.)

21. Zeitlin J. T. The Return of the Palace Lady: The Historical Ghost Story and Dynastic Fall // Dynastic Crisis and Cultural Innovation from the Late Ming to the Late Qing and Beyond / David Derwei Wang and Shang Wei (eds). Cambridge MA and London: Harvard University Press, 2005. P. 151–199.

22. Zeitlin J. T. The Phantom Heroine: Ghosts and Gender in Seventeenth-Century Chinese Literature. Honolulu: University of Hawaii Press, 2007.

23. Ren Hai. Neoliberalism and Culture in China and Hong Kong: The Countdown of Time. London: Routledge, 2010.

24. Lee P. Chronophobia: On Time in the Art of the 1960s. Cambridge: MIT Press, 2004.

25. Lichtenstein P., Annas P. Heritability and Prevalence of Specific Fears and Phobias in Childhood // Child Psychology & Psychiatry & Allied Disciplines (Psychology and Behavioral Sciences Collection). 2000 Oct. 41 (7). P. 927–937.

26. Lacan J. The Seminar of Jacques Lacan: On Feminine Sexuality, the Limits of Love and Knowledge. Book XX. New York: W. W. Norton & Company, 1999.

References

1. Li Cheuk-to. Introduction. Phantoms of the Hong Kong Cinema. The 13th Hong Kong International Film Festival. Hong Kong, Urban Council, 1989. P. 3–9.

2. Cheung Esther M. K. The City that Haunts: The Uncanny in Fruit Chan’s Made in Hong Kong. Between Hong and World: a Reader in Hong Kong Cinema. Hong Kong, Oxford University Press, 2004. P. 353–368.

3. Fu Poshek. Between Shanghai and Hong Kong: The Politics of Chinese Cinemas. Stanford, Stanford University Press, 2003.

4. Lee Leo Ou-fan. Shanghai Modern: The Flowering of a New Urban Culture in China, 1930–1945. Cambridge, Harvard University Press, 1999.

5. Teo S. The Extra Dimensions. London, British Film Institute, 1997.

6. Sek Kei. The Wandering Spook. Phantoms of the Hong Kong Cinema. The 13th Hong Kong International Film Festival. Hong Kong, Urban Council, 1989. P. 13–16.

7. Chow Rey. A Souvenir of Love. Modern Chinese Literature. 1993. No. 7 (2). P. 59–78.

8. Fujii Rumi. How and Why Fictions Enable People to Memorize Hong Kong. Literary Hong Kong and Lilian Lee / ed. by Kwok-Kou Chan. Taipei, Rye Field Publications, 2000. P. 81–98.

9. Chen Li-fen. Popular Culture and Historical Association. Literary Hong Kong and Lilian Lee / ed. by Kwok-Kou Chan. Taipei, Rye Field Publications, 2000. P. 119–140.

10. Leung Ping-kwan. Stanley Kwan: Between China and Hong Kong. In Critical Proximity: The Visual Memories of Stanley Kwan. Hong Kong, Joint Publishing, 2007. P. 12–19. (In Chinese)

11. Mao Jian. Hong Kong Tense. Literature Hong Kong and Lilian Lee / ed. by Kwok-Kou Chan. Taipei, Rye Field Publications, 2000. P. 198–206.

12. Lee Haiyan. Revolution of the Heart: A Genealogy of Love in China, 1900–1950. Stanford, Stanford University Press, 2010.

13. Lee Wai-yee. Enchantment and Disenchantment: Love and Illusion in Chinese Literature. Princeton, Princeton University Press, 1993.

14. Wang David Der-Wei. The Monster Tah t Is History: History, Violence, and Fictional Writing in Twentieth-Century China. Berkeley, University of California Press, 2004.

15. Tang Xianzu. Peony Pavilion / transl. by L. N. Menshikov. Classical Drama of the Orient. Мoscow, Khudozhestvennaia Literatura Publ., 1976. P. 449–471. (In Russian)

16. Wang David Der-Wei. Post-Loyalist Writing. Taipei, Rye Field Publication, 2007. (In Chinese)

17. Hsia C. T. C. T. Hsia on Chinese Literature. New York, Columbia University Press, 2004.

18. Abbas A. Hong Kong: Culture and the Politics of