Империя Дягилева. Как русский балет покорил мир - Руперт Кристиансен

Lindsay, David, The Crawford Papers: The Journal of David Lindsay, Twenty-seventh Earl of Crawford and Tenth Earl of Balcarred, 1871–1940. During the Years 1892 to 1949, edited by John Vincent. Manchester, 1986.

McBrien, William, Cole Porter. London, 1998.

McCormick, Malcolm and Nancy Reynolds, No Fixed Points: Dance in the Twentieth Century. New Haven, CT, and London, 2003.

Macdonald, Nesta, Diaghilev Observed. New York and London, 1975.

Macdonald, Nesta, Tamara Karsavina. New York, 1979.

Mackrell, Judith, Bloomsbury Ballerina. London, 2008.

McLean, Adrienne, ‘«The Red Shoes» Revisited’, Dance Chronicle, xi/1 (1988), pp. 31–83.

McLean, Adrienne, ‘The Image of the Ballet Artist in Popular Filma’, Journal of Popular Culture, xxv/1 (summer 1991), pp. 1–19.

McLean, Adrienne, Dying Swans and Madmen: Ballet, the Body and Narrative Cinema. New Brunswick, NJ, 2008.

Mannin, Ethel, Confessions and Impressions. London, 1930.

Mannin, Ethel, Young in the Twenties: A Chapter of Autobiography. London, 1971.

Mannoni, Gérard, Roland Petit. Paris, 1984.

Mannoni, Gérard, Roland Petit: Rythme de vie. Lausanne, 2003.

Mannoni, Gérard, Le Marquis de Cuevas. Paris, 2003.

Markevitch, Igor, Être et avoir été. Paris, 1980.

Markova, Alicia, Markove Remembers. London, 2004.

Massine, Leonide, My Life in Ballet. London and New York, 1968.

Mayer, Charles S., ‘Ida Rubinstein: A Twentieth-Century Cleopatra’, Dance Reseach Journal, xx/2 (winter 1988), pp. 33–51.

Meisner, Nadine, Marius Petipa: The Emperor’s Ballet Master. New York, 2019.

Meylac, Michael, Behind the Scenes at the Ballets Russes. London and New York, 2018.

Michel, Michel-Georges, Ballets Russes: Historie anecdotique. Paris, 1923.

Money, Keith, Anna Pavlova: Her Life and Art. London, 1982.

Moore, Gillian, The Rite of Spring: The Music of Modernity. London, 2019.

Moore, Lucy, Nijinsky. London, 2013.

Naslund, Erik, Rolf de Maré: Art Collector — Ballet Director — Museum Curator. Alton, 2009.

Nead, Lynda, The Tiger in the Smoke: Art and Culture in Post-War Britain. New Haven and London, 2017.

Newman, Barbara, Striking a Balance. London, 1982.

Nichols, Roger, The Harlequin Years. London, 2002.

Nichols, Roger, Poulenc. London, 2020.

Nijinska, Bronislava, Early Memories. New York, 1981.

Nijinsky, Romola, Nijinsky [1933]. London, 1970.

Nijinsky, Vaslav, The Diary of Vaslav Nijinsky, edited by Joan Acocella. London and New York, 1999.

Norman Baer, Nancy van (ed.), The Art of Enchantment. San Francisco, CA, 1988).

Norton, Leslie, Léonide Massine and the 20th Century Ballet. Jefferson, NC and London, 2004.

Norton, Leslie, Frederic Franklin. Jefferson, NC, 2007.

Ostvald, Peter, Vaslav Nijinsky: A Leap into Madness. London, 1991.

Pastori, Jean-Pierre, Serge Lifar: la beauté du diable. Paris, 2009.

Petipa, Marius, Mémories. Arles, 1990.

Philips, Victoria, Martha Graham’s Cold War. Oxford, 2019.

Powell, Michael, A Life in Movies. London, 1986.

Pritchard, Jane, Diaghilev and the Golden Age of the Ballets Russes 1909–1929, Victoria and Albert Museum exhibition catalogue. London, 2010.

Pritchard, Jane, and Caroline Hamilton, Anna Pavlova: Twentieth-Century Ballerina. London, 2012.

Rambert, Marie, Quicksilver. London, 1972.

Reminiscences of Ballets Russes Dancers. New Orleans, 2000.

Richardson, John, A Life of Picasso: The Triumphant Years 1917–1932. London, 2007.

Ricketts, Charles, Self-Portrait Taken from the Letters and Journals of Charles Ricketts, collected and compiled by T. Sturge Moore, edited by Cecil Lewis. London, 1939.

Roslavleva, Natalia, Era of the Russian Ballet. London, 1966.

Sandoz, Maurice, The Crystal Salt-cellar. Guildford, 1954.

Scheijen, Sjeng, Diaghilev: A Life. London, 2009.

Scholl, Tim, From Petipa to Balanchine. London, 1994.

Schouvaloff, Alexander, The Art of the Ballets Russes, Wadswarth Athenaeum exhibition catalogue. Hartford, CT, 1997.

Schouvaloff, Alexander, ‘The Diaghilev Legend’, in John E. Bowlt et al. (eds), A Feast of Wonders.

Searcy, Anne, Ballet in the Cold War. New York, 2020.

Shattuck, Roger, The Banquet Tears. London, 1968.

Silver, Kenneth E., Esprit de Crops: The Art of the Parisian Avant-garde. Princeton, NJ, 1992.

Sitwell and the Arts of the 1920s and 1930s, The, exhibition catalogue, National Portrait Gallery. London, 1995.

Sokolova, Lydia, Dancing for Diaghilev, edited by Richard Buckle. London, 1960.

Sorley Walker, Katherine, De Basil’s Ballets Russes. London, 1982.

Sorley Walker, Katherine, Ninette de Volois: Idealist Without Illusions. London, 1987.

Sorley Walker, Katherine, ‘The Camargo Society’, Dance Chronicle, xviii/1 (1995), pp. 2–7.

Sotheby’s, Collection Boris Kochno (auction catalogue). Monte Carlo, 1991.

Spencer, Charles, Léon Bakst. London, 1973.

Steichen, James, Balanchine and Kirstein’s American Enterprise. New York, 2018.

Stevenson, Jane, Baroque between the Wars. Oxford, 2018.

Stokes, Adrian, Tonight the Ballet. London, 1934.

Stoneley, Peter, A Queer History of the Ballet. Abingdon, 2007.

Strachey, Lytton, Ballet — To Poland, edited by Arnold Haskell. London, 1940.

Stravinsky, Igor and Robert Craft, Memories and Commentaries. London, 1960.

Stravinsky, Igor and Robert Craft, Expositions and Developments. London, 1962.

Taper, Bernard, Balanchine. London and New York, 1974.

Tennant, Victoria, Irina Baronova and the Ballets Russes de Monte Carlo. Chicago, IL, 2014.

Tynan, Kenneth, A View of the English Stage. St Albans, 1975.

Valois, Ninette de, Comme Dance with Me: A Memoir, 1898–1956. London, 1957.

Vaughan, David, Frederick Ashton and his Ballets. London, 1977.

Vreeland, Lisa Immordino, Love, Cacil. New York, 2017.

Wiley, Roland John, Tchaikovsky’s Battets. Oxford, 1985.

Wiley, Roland John, A Century of Russian Ballet. Oxford, 1990.

Windreich, Leigh, ‘Memory Lane’ Dance Now ix/3 (autumn 2000), p. 747.

Woolf, Virginia, Mr Bennett and Mrs Brown. London, 1924.

Yeats, W. B., The Poems, edited by Danniel Albright. London, 1992.

Бенуа А. Н. Дневники. 1908–1916: Воспоминания о русском балете. M.: Захаров, 2011.

Варнуц В. П. Переписка с русскими корреспондентами. Материалы к биографии: в 3 т. М.: Композитор, 2000. Т. 2.

Гарафола Л. Русский балет Дягилева. М.: КоЛибри, Азбука-Аттикус, 2021.

Голынец С. В. Лев Бакст. М.: Изобразительное искусство, 1992.

Дягилев С. Основы художественной оценки // Мир искусства. 1899. № 3–4. С. 37–61.

Сергей Дягилев и русское искусство: статьи, открытые письма, интервью, переписка, современники о Дягилеве: в 2 т. / сост. И. С. Зильберштейн, В. А. Самков. М.: Изобразительное искусство, 1982.

Легат Н. Г. История русской школы. СПб.: Академия русского балета имени А. Я. Вагановой, 2014.

Мейлах М. Эвтерпа, ты? Художественные заметки, беседы с артистами русской эмиграции: в 2 т. М: Новое литературное обозрение, 2008. Т. 1.

Нижинский В. Ф. Чувство. Тетради. М.: Вагриус, 2000.

Пожарская М. Н. Русские сезоны в Париже. Эскизы декораций и костюмов. 1908–1929 гг. М.: Искусство, 1988.

Стравинский И. Диалоги с Робертом Крафтом / Пер. с англ. В. А. Линник. М.: Libra Press, 2016.

Схейен Ш. Сергей Дягилев. «Русские сезоны» навсегда. М.: КоЛибри,